Set against the backdrop of 1970's Texas Hill Country, AIN'T THEM BODIES SAINTS is a romantic American story that follows three characters on various sides of the law - outlaw Bob Muldoon (Casey Affleck), his wife Ruth Guthrie (Rooney Mara), and a local sheriff named Patrick Wheeler (Ben Foster), who gets caught in their crosshairs. The film, which is the second feature from writer-director David Lowery, was developed at the Sundance Institute's Writing and Producing Labs and also stars Nate Parker and Keith Carradine. The film received the U.S. Dramatic Cinematography Award at the 2013 Sundance Film Festival. (c) IFC
Release Date Ain't Them Bodies Saints Aug 16, 2013 Limited
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Actors For Ain't Them Bodies Saints

Rooney Mara,Casey Affleck,Ben Foster,Nate Parker,Keith Carradine,Rami Malek,Charles Baker

Genres Ain't Them Bodies Saints : Drama

Visitor Ranting & Critics For Ain't Them Bodies Saints

User Ranting Ain't Them Bodies Saints :
User Percentage For Ain't Them Bodies Saints : %
User Count Like for Ain't Them Bodies Saints : 3,712
All Critics Ranting For Ain't Them Bodies Saints : 7.3
All Critics Count For Ain't Them Bodies Saints : 17
All Critics Percentage For Ain't Them Bodies Saints : 82 %

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Movie Overview For Ain't Them Bodies Saints
Bob Muldoon (Casey Affleck) and Ruth Guthrie (Rooney Mara), an impassioned young outlaw couple on an extended crime spree, are finally apprehended by lawmen after a shootout in the Texas hills. Although Ruth wounds a local officer, Bob takes the blame. But four years later, Bob escapes from prison and sets out to find Ruth and their daughter, born during his incarceration. Set against the backdrop of 1970's Texas Hill Country, director David Lowery paints a poetic picture, evoking the mythology of westerns and saturating the dramatic space with an aching sense of loss. Featuring powerful performances by Affleck, Mara as well as Ben Foster and Keith Carradine, AIN'T THEM BODIES SAINTS is a story of love, motherhood, and searching for peace while faced with an unrelenting past.

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Review For Ain't Them Bodies Saints

If Ain't Them Bodies Saints seems insubstantial in structure, it may be because Mr. Lowery has chosen to focus on appearance over plot, which doesn't mean the movie is less effective as a result.
Matthew Kassel-New York Observer

Awash in 1970s filmmaking and the kind of stylized folksiness that pickling Brooklyn hipsters with handlebar mustaches will positively drool over.
Jake Coyle-Associated Press

If it's not thrillingly new, it's old in the best way-worn, comfortable and embodying virtues too often lost.
Sam Adams-Time Out New York

Lowery isn't a Malick and he's certainly no Kazan, but he's his own man, and a filmmaker to watch.
Chuck Wilson-Village Voice

a fever dream facsimile of an eventful movie
Jordan Hoffman-Film.com

David Lowery's Ain't Them Bodies Saints landed with the excitement of a bold new voice, and yet, there's also something undeniably old-fashioned in his approach, suggesting a lost artifact freshly unearthed from the 1970s.
Peter Debruge-Variety

The film's highly calculated beauty suffocates rather than elevates the story's emotional underpinnings.
Nick McCarthy-Slant Magazine

A derivative and over-familiar tale poetically told.
Roger Moore-McClatchy-Tribune News Service

A thin, molasses-slow story that appears to highlight director Lowery as the next Terrence Malick.
Harvey S. Karten-Compuserve

As befits any postmodern Western, Ain't Them Bodies Saints necessarily addresses the idea of the death of the Western, or the death of the West as we have known it.
Meredith Slifkin-Film Comment Magazine

There is almost certainly a major nod here to Badlands, as well as Thieves Like Us, and more generally speaking, Lowery seems intent on re-exploring the essence of that particular period of outlaw movies.
Simon Gallagher-What Culture

Gorgeous. Like a lost Terrence Mallick movie from the seventies.
Chris Bumbray-JoBlo's Movie Emporium

The film is so singular, it's hard to place. At times, its elegiac visual quality evokes Terrence Malick, but Lowery's scripting is tighter and more accessible. His is truly a fresh voice, exhilarating to hear.
Sebastian Doggart-Guardian [UK]

This is a consistently moving tone poem of a film, even if its immediacy doesn't necessarily translate into long-lasting resonance.
Michael Nordine-Film Threat

Ain't Them Bodies Saints is such a persuasively cinematic experience that one ultimately forgives (but doesn't forget) the threadbare story and obvious reference points on display.
Tim Grierson-Screen International

There's something alluringly, disconcertingly off-kilter from the get-go in Ain't Them Bodies Saints.
Guy Lodge-HitFix